Friends, Romans, Countryfolk . . . lend me a dollar, won’t you? No? Well, fine, we’re doing a new series anyway! So quo that in your vadis! This time we’re choosing a random year every two episodes and discussing the most successful movie of that year and the biggest bomb of that year. At Mike’s direction, we’re calling it “Tops and Bottoms.” Personally, I don’t see what bathing suit components have to do with cinema, but Mike was very insistent about this title . . . although he kept giggling every time he said it, so I’m not sure how serious he was. Tops and Bottoms . . . nossir, I don’t get it. Anyway, this time we’re using the highly sophisticated Max-O-Tron 9000000 to generate the year (ignore any rumors that you might hear regarding the fact that the Max-O-Tron 9000000 is, in fact, a six-sided die and a set of percentile dice. Lies, I tell you, lies!) and through this incredibly complex algorithm (it would take a scientist to explain it), we settled on 1959. And what was 1959’s biggest cinematic success? A small-scale family drama involving a nice Jewish family called “Ben-Hur.” There’s love, spear-throwing, a friendly little chariot race and a few appearances by a young Jewish fella who broke his parents’ hearts by refusing to become a doctor and didn’t HE live to regret it! And remember: you’ll take Ben-Hur’s chariot when you pry it from his cold, dead hands, you damn dirty ape! Give a listen!
Poll question: when you hear that a movie is a multi-Oscar winner, does that influence your desire to see it? Positively or negatively? Leave a comment or call our Oscar-nominated hotline at 617-398-7266
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The oscars have no effect if I want to see a movie or not. Neither do critics, Top Ten Lists or “likes”. I do like it when a film a think deserves attention, like Godzilla – 1 and Flow won Oscars as it’s good for the filmmakers but in those cases, they were films I already saw.