And we come to the end of our “Focus on: John Cusack” series and a short but wild ride it’s been. Wasn’t “High Fidelity” cool? Didn’t you just love Lloyd Dobler as a character? Wasn’t the Savannah setting in “Midnight in the Garden of Good and Evil” intriguing? Yeah . . . welp, that about sums up the series, thanks for joining us! For next time . . . hm? What’s that? THIS week’s movie? 2017’s “Singularity”? Yeeeeaaahhhhh . . . right . . . that one . . . uh . . . sure, I mean, we can talk about it. If you really want to. I mean, John Cusack’s in it . . . pretty much. For some of it. He’s prominently featured in the credits and on the DVD cover, so, ok, this is technically a John Cusack movie. Um. But you know, maybe we could talk more about the actual music choices in “High Fidelity”! Yeah! That’d be cool, right? Like how many of the albums that got mentioned are albums you’ve actually listened to? Let’s do that! Oh. Really? Well, ok, if you insist. I mean, “Singularity” is kind of an interesting indicator of John Cusack’s recent career trajectory. And there’s robots in it. And . . . well, you’d better just give a listen, find out what’s going on. We do need to finish this up.
Poll question: What is your favorite filmic representation of Batman?
George Floyd Memorial Fund: https://www.gofundme.com/f/georgefloyd
ACLU: https://www.aclu.org/
Black Lives Matter: https://secure.actblue.com/donate/ms_blm_homepage_2019
Southern Poverty Law Center: https://donate.splcenter.org/
Podcast: Play in new window | Download
Subscribe: RSS