Max, Mike; Movies!

The city.  It cries out for justice.  It cries out for salvation.  It cries out for discussions of movie sequels in a series called “Leave ‘Em Wanting More.” They call.  We come.  That’s the deal.  We are Max, Mike; Movies and we’re the podcast the city deserves, but not the one it needs.  No. Wait. Hang on.  Maybe it’s the other way around.  Or maybe we’re the podcast the city thinks it wants but isn’t the one it could really use to remove stubborn stains? Anyway, it’s complicated.  You know what’s not complicated? Justice.  And what does justice have to do with this podcast? Nothing.  That’s the point.  Get it? Well, I’ll explain . . .  it’s complicated. Like justice.  That’s deep, right? Of course it is.  Join us as we take on the villainous (or not) sequel to “Batman Begins” starring Christian “So Easy To Work With” Bale and the late, very lamented Heath Ledger where we attempt to answer the eternal question: hey, Christopher Nolan! Why . . . so . . . serious?

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Here at Max, Mike; Movies, we’ve seen things you people can’t imagine.  Attack ships on fire some place or other.  Something or other glittering off the Tannhauser gate, whatever that is.  And lots of other stuff.  You can’t imagine it.  Don’t even try.  You’ll just hurt yourself.  This week’s “Leave ‘Em Wanting More” deals with the sequel that we had no idea we wanted, a movie that came right on the heels of the original . . . give or take 35 years: “Blade Runner 2049.”  Sadly, I missed Blade Runners 2 through 2,048 (man, that who knew they could churn them out so fast?), so maybe that’s why I don’t entirely “get” this movie but a movie doesn’t have to be “got” to get good. Get it? Got it? Good.  So grab some juicy grubs and a handful of bees, cuddle up close with your beloved virtual significant other and check out our thoughts on the antics of Officer K (no relation to Agent K) and the whole wacky crew of this feel-good cheerful sci-fi romp!   Now with ten percent real Harrison Ford!

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Welcome to a sequel that I bet a bunch of people didn’t know was a sequel! Yes, Mel Gibson’s first outing as Max Rockatansky (yes, the character has a last name) in 1979 wasn’t exactly widely distributed (or known) over here in the States; the initial release even had Gibson’s voice dubbed, for fear that his thick Australian accent? would baffle U.S. audiences.  Okaaay, sure.  Here’s a sequel that at the very least is more memorable than the original.  Is it as good? Better? Does it have more mohawks, leather outfits, and butt-less leather pants? Yes, I’d say that’s a pretty fair bet.  So, join us for this week’s Mad Max, Mad Mike; Mad Movies (we’re just mad about movies! Ah heh heh heh . . . heh . . . I’ll stop now, I’m so sorry).  It’ll be humongous!

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Welcome, dudes, to another of our, like, “Leave ‘Em Wanting More” . . . thing.  ‘cuz we’re talking about, y’know, sequels and stuff . . . so, like, you ever think that maybe we’re all living in, sort of a big computer game or whatever? And we don’t, like, even know it and junk? Yeah . . . yeah . . . us too . . . and, like, did you ever want a really involved explanation of why all this is happening and like have guys make what seems like a cool idea pretty much . . . what’s the word . . . incomprehensible? Yeah, us too! Whoa . . . is that a coincidence, or some kind of conspiracy, dude? Whoa.
Yes, we all liked the original Matrix (well, for the purposes of this paragraph, let’s assume we all did).  But what happens when a sequel comes out with more fights, more action and what everyone REALLY wanted: lots more vague and confusing explanations for what happened in the first movie! Yeah! Because THAT’S what people wanted in the follow-up to a visually remarkable kick-ass action movie: more exposition! Heaps more! Do we get that in this movie? How much? Does it help? Does it make sense? Despite all our rage, are we still just rats in a cage? Tune in to find out the answers, except probably for that last one.

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From the people who brought you “Max, Mike; Movies” comes “Max, Mike; Movies II: The Returning Revenge of the Origins to the Future of the Next Generation on Fury Road.” In other words, we’re starting a new series called “Leave ‘Em Wanting More” and it’s all about sequels! Sequels, sequels and more sequels.  Those things that Hollywood used to carefully consider creating but now it’s “Your movie made five dollars over it’s budget? Sequels! Lots of sequels! Must have forty sequels!” [actual transcript of meeting with Famous Hollywood Producer Who Shall Remain Imaginary].  But let’s face it: there are sequels and there are sequels.  Some sequels are shameless cash grabs, some are dictated by an adapted medium and some exist . . . for eldritch reasons beyond time and space, where if you think about it too hard your spleen will turn into a third kidney.  It happens more often than you’d think.  This week, we’re talking about one of those rarest of beasts, a sequel that many believe is actually superior to the original, Francis Ford Coppola’s “The Godfather Part II.”  Does it surpass the original? Does it equal the original? Give a listen and see what we think.  Why do we do this? Because this is the business we have chosen.

George Floyd Memorial Fund:  https://www.gofundme.com/f/georgefloyd

ACLU: https://www.aclu.org/

Black Lives Matter: https://secure.actblue.com/donate/ms_blm_homepage_2019

Southern Poverty Law Center: https://donate.splcenter.org/

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