Who The Hell Are You Guys?

Y’know, we’ve been doing this podcast for a while and it occurred to Mike that, hard to believe as it might be, there could be folks out there who might be wondering who we are and why anyone would want to listen to what we say. After I stopped my hysterical laughter at such an absurd notion, I realized that, like the top of his head, Mike has a point. Who are we? Why are our opinions so vitally important? It’s possible that people might actually be interested in a brief summary of what makes us tick and what makes us go “Huygleflamdoof!” (so many, many things make us do that).  So here, at the request of none, is a short, special episode where Mike and I discuss ourselves, our love of movies, and why independent film discussion might actually be something that matters.  Enjoy!

Episode 77: Octopussy (1983)

And now this series, “Get ‘em, Jimmy!,” a study of the best and worst of Bond, has brought us here: the one Bond movie with a title that is almost impossible to say out loud without giggling. Ah, but just watch the movie! Yes, watch the movie and realize that huh, the title is actually not the silliest thing about the movie.  Pretty impressive, when you think about it; just don’t think about it for too long; it can cause facial tics and acne. Here we have the penultimate Roger Moore Bond and . . . well, they’re really just running out of ideas here.  The studio had long since run out of actual Ian Flemming novels to adapt, so this one is cobbled together out of a couple of unrelated short stories by Flemming and whatever navel lint they had lying around.  But are there any good points to this movie? We’ve got Louis Jordan as the villain! Yes, the romantic lead from the classic musical “Gigi” is in this as the heavy! And boy, does he enjoy the heck out of saying the title character’s name.  Because Octopussy is a person. No, really.  Apparently, “Octopussy” is the childhood nickname her father gave her.  Try not to think about that one too much. She’s played by Maud Adams, and in every scene with her and Roger Moore, watch and marvel at the Battle of the Cheekbones! And yes, that’s the most interesting part of their interaction.  Their cheekbones are the best characters in the movie.  Well, at least Maud Adams is actually close to Roger Moore’s age, unlike . . . well, we’ll be getting to that eventually.  So, invite over an Indian tennis pro, grab your buzz saw yoyo, keep an eye out for very dated Barbara Woodhouse references, and give a listen!

We Interrupt This Series To Bring You . . . Cats!

No, this podcast has not been hijacked, you read that title correctly.  And sadly no, this episode is not just an hour of Mike and I talking about how much we like the animal felis catus (although we do). Strap yourselves in tightly because we went and saw the new “Cats” movie. Yup, that one. “But Max,” you may cry “Why did you and Mike subject yourself to what some people are calling the worst movie of all time?” Well, I invite you to think about what you just said (or rather, what I imagine you just said).  This is us, dig? If someone says “there is no way anyone can sit through this movie,” our response is usually “Challenge accepted!” I’m not proud of this. No one should be.  But we kept hearing about how insanely terrible this adaptation of Dame Andrew Lloyd Weber’s long-running musical was and we felt we owed it to you, our beloved, well-groomed, beautifully dressed listeners.  This movie has a remarkable cast: Ian McKellen, Judy Dench, Idris Elba . . . and the rest! So how bad could it be? Seriously, is it REALLY that bad? We found out, so you don’t have to. So honor our sacrifice and have a listen. And I leave you with the lyrics of that most famous Cats song:
Meow meow meow meow,
Meow meow meow meow,
Meow meow meow meow, meow meow meow meow.
                                — “Meow Mix of the Night”